The Language Archive by Julia Cho, Piven Theatre Workshop
"I think Cho intends us to think that Mary married below her own emotional capacity
when she picked poor George, and, to Fagen's great credit,
that is precisely the kind of character he reveals." - Chris Jones, Chicago Tribune
"Fagen in particular communicates a universe of
unexpressed sorrow in his impotent pauses." - Jack Helbig, Chicago Reader
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The Petrified Forest by Robert Sherwood, Strawdog Theatre Company
"Enter Alan Squire (Paul Fagen, excellent as a sort of
washed-up F. Scott Fitzgerald type). . ." - Hedy Weiss, Chicago Sun-Times
The Nutcracker by Jake Minton/Phil Klapperich, The House Theatre
"Ericka Ratcliff and Paul Fagen capture the quietly tortured dynamic
that makes parents Martha and David such heartbreaking characters." -TimeOut Chicago
"...high-spirited and hilarious Ericka Ratcliff and Paul Fagen..." - The Fourth Walsh
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Big Love by Charles Mee, Strawdog Theatre Company
"The sole nod to non-hetero conventions is Piero's maybe-gay
nephew Giuliano, played by Paul Fagen with dignity even as
he performs the Backstreet Boys' "As Long As You Love Me" in drag."
– TimeOut Chicago
"Paul Fagen and Cheryl Roy float through in delightful
character roles." – Chicago Reader
The Metal Children by Adam Rapp, Next Theatre Company
"An instructor, Stacey Kinsella (a powerful performance by Paul Fagen)
feels that an author has the right to create without censorship and
that the choice to select their reading material should
be the choice of the students. "– Around the Town Chicago
bobrauschenbergamerica by Charles Mee, ChicagoFusionTheatre
"Of the standout performances Paul Fagen (as Carl)
offers several notable moments . He somehow makes
asking the audience to applaud a blanket funny. Hilarious even. " - Edge Chicago
"There's a nice tenderness in the occasional gay coupling of
Pat King's Allen and Carl, portrayed by the elastic Paul Fagen." - Windy City Times
Quiz Show by Rob Drummond, Strawdog Theatre Company
". . . the reveal and the ending, thanks to outstandingly emotional moments from
Goeden and Fagen, manages to land a devastating punch." - Chicago Stage Standard
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Late Company by Jordan Tannehill, Cor Theatre
"As Michael, Debora’s sometimes clueless, often absent politician husband,
Paul Fagen is excellent. His desperation in trying to paint a portrait of Joel,
a son he barely knew or understood, is palpable." - Chicago Theater Review